Friday, October 29, 2010

What Are Teacher Reviewers Saying About Power Presentations: Introduction to Literary Theory?

Earlier this month, Prestwick House debuted Power Presentations: Introduction to Literary Theory, a Multiple Critical Perspectives product that helps teachers bring critical theory to every classroom.

This easy-to-use presentation will give your students the tools they need to understand literature beyond the simple conventions of plot, characterization, and theme. Power Presentations: Introduction to Literary Theory explores six critical theories through the lens of Cinderella, helping your students to clearly see how literature can be seen from different perspectives. Designed to stand alone or be used in conjunction with your favorite Multiple Critical Perspectives Guides.

Recently, we received feedback on Power Presentations: Introduction to Literary Theory from teachers on the Prestwick House National Curriculum Advisory Board. Read quotations from teachers below or find out more at PrestwickHouse.com!


“I am very impressed with this product. The format is far more teacher- and student-friendly than a textbook and the amount of information on each screen allows students to take accurate notes quickly before advancing on to additional screens. Visually, the product is easy to view and read.”



- Karen DiBetta



“The way the presentation is structured allows for each approach to be taught independently of the others. Depending on the ability of the class and the material being covered, I can easily choose the literary theory best fitted to the material and encourage critical thinking by asking students to approach the material using one specific literary theory.”



- Sonya K Shaw



“This product is a wonderful way to spark discussion of a work of literature. The various literary methods addressed in the presentation provide ample opportunity for all students in the class, regardless of ability, to engage in a meaningful discussion of a work.”



- Sonya K Shaw



“The accompanying instructions are incredibly clear. Even teachers who are not used to using PowerPoint will be able to navigate it easily.”




- Elizabeth Miley



“We have been moving toward a more comprehensive coverage of literary theory over the past two school years, and I see this product as a way to better organize our instruction with our junior and seniors. The consistency of the presentation would help us as teachers to be more consistent as well.”



- Cam Matthews




“I absolutely plan on using this product with my students. This product can make understanding literary theory simple, and can engage all students--from CP to AP.In previous years, I have struggled with a clear way of presenting literary theory to my students. This product does exactly that.”



- Stephanie Rodevick



“I would use this product myself. I am always looking for current, user-friendly materials I feel my students will find as interesting as I do. This product fills that bill.”





- Karen DiBetta


Tuesday, October 26, 2010

NaNoWriMo: It’s The Most Wonderful Time of the Year!

by Douglas Grudzina
The Office of Letters and Light is pleased to announce …

… the twelfth annual …

… NaNoWriMo!


(You DID know that November was National Novel Writing Month, right?—get it … NaNoWriMo?)


Anyone can enter. Everyone can play. The goal is to write a novel—175 pages or 50,000 words—between November 1 and November 30. The project’s slogan is, “Thirty days and nights of literary abandon!” and participants are instructed to write, write, and write some more, not sweat the “quality” (sort of like a month-long freewrite).

The rules are really very simple: novels can be on any theme, in any genre, and in any language. Format and structure are completely up to the author. Metafiction, post-modernist chaos, use of trademarked characters—anything goes. As the NaNoWriMo site says, “If you consider the book you’re writing a novel, we consider it a novel too.”

The competition starts on midnight November 1. From day 1, participants are allowed to update their word count and post excerpts of their opus for others to read. Completed novels can be uploaded to the NaNoWriMo site beginning November 25. All winners—those who have managed to write 50,000 words in the month (and there are rules excluding simply repeating the same word 50,000 times—receive a PDF certificate, a “web badge,” and inclusion on the site’s “Winners Page.”

We’re always looking for “authentic” opportunities for our students to write. This is ideal! If I were still in the classroom, I’d have every one of my students register and participate. Forget Dickens. Four weeks without vocabulary won’t hurt anyone.

It’s November! We’re going write a novel! (Oh yeah, I’d register too. We have to model appropriate behavior for our students, don’t we?

Here’s their official site with all the real information about registering, and participating in the forums, and all.

They even have a “Young Writers Program” especially for writers under the age of 17 and working alone or working in a K-12 classroom setting. It has a special feature that allows students to set their own total-word-goal for the month.

(Still, I think I’d like to challenge my high school students—especially my seniors—to meet the full 50,000 words. With middle-school or elementary-school kids, maybe I’d be a little more lenient—just a little.)

Remember that a “winner” is anyone who meets the 50,000-word minimum by 1 minute before midnight on December 1.

FYI, according to Wikipedia, 50,000 words is roughly the length of novels like The Hitchhiker’s Guide to the Galaxy, Brave New World, and The Great Gatsby. (NaNoWriMo makes no claims that any of these was actually written as a NaNoWriMo entry.) To meet that minimum, participants write an average of a little more than 1,666 words a day.

November could be an awesome month in your English class, with your kids really excited about their work, sharing their ideas and progress with you and with each other, chatting with other writers in the NaNoWriMo site’s forums, and actually enjoying writing and writing and writing to meet a deadline.

As I said, if I were still in the classroom, I’d definitely do it.

You should check it out.

Tuesday Trivia


  1. Which author (and founder of the Society for the Prevention of Cruelty to English) won the Newbery medal only two years after his father won for his own book?
  2. Which author used the pseudonyms Golden MacDonald, Juniper Sage, Kaintuck Brown and Timothy Hay?
  3. Which author initially disguised her gender by using her initials and eventually assumed another after moving to England?
  4. Which famous author and illustrator has a children’s picture book art museum named after him?
  5. Which author’s first book for children was about cockroaches?
Last Week's Answers
  • Rowan Oak (Mississippi) belonged to William Faulkner
  • The Mount (Massachusetts) belonged to Edith Wharton
  • Gads Hill Place (Higham, Kent) belonged to Charles Dickens
  • The Old Manse (Massachusetts) belonged to Ralph Waldo Emerson
  • Sunnyside (New York) belonged to Washington Irving
  • Dove Cottage (Grasmere, Cumbria) belonged to William Wordsworth

Monday, October 25, 2010

A Review of Rhetoric, Logic, and Argumentation: Small Book, Great Potential

Every once in a while, a resource comes along that you can’t wait to use. Such is the case with a recent publication from Prestwick House.



Rhetoric, Logic, & Argumentation: A Guide for Student Writers is misleading. Its size suggests lightness and minimal treatment of critical skills. However, it is precisely this succinctness that makes the resource so remarkable. In about 100 pages, this guide for students introduces the basics of logic and applies them to writing. Students not only learn to recognize sound thinking but also to produce and communicate it.




A few years ago I developed the instructional writing program, Writer’s Stylus. The instructional model for this program includes an activity known as “Acquaintance and Analysis” in which students read an example of excellent writing and then analyze the text to identify how the author communicated so clearly. We search for elements like word choice, sentence variety, and effective transitions. This simple activity not only exposes students to great writing but trains them to look at writing beyond the writer’s intended meaning. It is a powerful activity that accomplishes more than a series of lectures ever could.



Rhetoric, Logic, & Argumentation takes a similar approach. Well-chosen text passages illustrate important ideas, such as the various forms of appeal that can be used to construct an argument. These, combined with additional activities that emphasize knowledge and application of critical concepts, engage students in thinking about thinking—that of others as well as their own. Such an approach makes instructional sense; students learn what to look for, have the opportunity to see it in action, and then put it to use themselves. Then, because they’ve had the experience of analyzing writing for similar characteristics, students are better able to evaluate and edit their own thinking and writing.



The book provides just enough background and guidance for students, never overdoing a topic nor resorting to endless, often mindless, practice exercises. Its combination of thinking and writing enables students to communicate their improved thinking, increasing their potential influence.



In the hands of an effective teacher, this small resource could energize and empower student thinking and writing. I can’t wait to see this misleadingly small resource used in classrooms. Apparently great thought can come in small packages!

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Kevin D. Washburn holds a doctoral degree in Educational Leadership with an emphasis in instruction and curriculum. His experience as a teacher in elementary through college level classrooms and positions in curriculum and instruction combine with his penchant for reading and research in both educational and scientific areas to uncover important implications for learning. Whether speaking in the classroom or convention setting, Kevin seeks to imbue a passion for quality instruction.

Kevin is the author of the Architecture of Learning™ instructional design model and its training program, Writer’s Stylus™, an instructional writing program, and co-author of an instructional reading program used by schools across the country. He is a member of the International Mind, Brain & Education Society, the Learning & the Brain Society, and is a contributor to The Edurati Review.




Thursday, October 21, 2010

FAQs for Prestwick House AP Language and Composition



What is this product?

Available November 15, Prestwick House AP Language and Composition is a book with full-length nonfiction passages, many of which are annotated, AP-style multiple-choice questions and free response items, and synthesis-essay activities. Each chapter provides both models and practice exercise.

How is the book organized?

The book is organized according to the various language and textual elements an AP student will have to examine and analyze on the AP language exam: structure and organizational patterns, language and syntax, rhetorical devices, etc.

For whom is this book intended?

Prestwick House AP Language and Composition is intended for the student who plans to take the Advanced Placement English Language and Composition Exam. All of the models are accompanied by multiple-choice answers and explanations and sample student essays. Answer keys for the exercises are provided in an appendix. A glossary of literary and rhetorical devices and logical fallacies is also included to help the student become conversant with the language he or she will need to use to discuss the passages on the exam.

Is the book useable in the classroom?

Absolutely. The annotation, models, and answer keys are definitely classroom-friendly. Also, every nonfiction passage is complete and unabridged, allowing this book to become a primary text for nonfiction literature as well as an AP prep book.

Is this book compatible with the new Common Core State Standards for English Language Arts?

Absolutely. First of all, many of the goals of Advanced Placement, especially the analysis of literature and the examination of language, are at the heart of the Common Core Standards for Reading Informational Text. Second, all of the passages in the book were selected using the guidelines of the Common Core State Standards for Range of Reading and Level of Text Complexity. Several of the passages actually appear in the CSS Initiative’s Texts Illustrating the Complexity, Quality, and Range of Student Reading, Grades 9 – 12.

How is this book any different from other AP prep books that are available?

The biggest problem with those other AP-prep books is their generic and content-empty nature. Because the AP exam is essentially a skills exam, asking students to read and analyze unfamiliar texts, most prep book focus on the skills. Prestwick House AP Language and Composition is as much a literature text as a skills text. It is suitable for use as a core text, not just a supplemental.

What are some of the nonfiction texts featured in this book?

Passages in Prestwick House AP Language and Composition include:
  • “Blood, Toil, Tears and Sweat: Address to Parliament on 13 May 13, 1940” by Winston Churchill

  • Speech to the Second Virginia Convention” by Patrick Henry

  • “The Crisis, Essay 1” by Thomas Paine

  • “The Federalist,” selected papers by John Jay and Alexander Hamilton

  • “Letter from Birmingham Jail” by Martin Luther King, Jr.

  • “Hope, Despair and Memory” by Elie Wiesel (1997 Nobel Peace Prize lecture)

  • Elie Wiesel’s 1997 Nobel Peace Prize Acceptance Speech

What are some of the features of this book that make it unique among AP Language and Composition texts?


  • Most of the passages are complete, not excerpted or abridged.

  • Many are annotated to point out to students the types of questions they should be asking themselves, and the features they should be noticing in their own reading.

  • Model multiple-choice questions with answers and explanations illustrate the thought processes required for a better understanding of the passages and a higher score on the AP language exam.

  • Sample student essays provide models for AP students to follow and imitate.
  • Appendices provide rich content and instructional material for a college-level English language course as well as strong preparation for the AP language exam.

Does this book include models and exercises for the relatively new Synthesis Essay?

Yes. The chapter on the Synthesis Essay also provides instruction and guidance on how to approach the synthesis task, how to use the sources, when to quote, paraphrase, summarize, etc.

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Tuesday, October 19, 2010

Tuesday Trivia


Match each famous author:
  • Ralph Waldo Emerson
  • Washington Irving
  • William Faulkner
  • Charles Dickens
  • Edith Wharton
  • William Wordsworth

With his or her home:

  • Rowan Oak (Mississippi)
  • The Mount (Massachusetts)
  • Gads Hill Place (Higham, Kent)
  • The Old Manse (Massachusetts)
  • Sunnyside (New York)
  • Dove Cottage (Grasmere, Cumbria)



Last Week's Answers



Match the dog with its famous author:
  • Linda, a St. Bernard belonging to Charles Dickens
  • Flush, a golden cocker spaniel belonging to Elizabeth Barrett Browning
  • Carlo, a Newfoundland belonging to Emily Dickinson
  • Gurth, an English Sheepdog belonging Virginia Woolf
  • Black, Negrita, Linda, and Neron, mixed breed dogs belonging to Ernest Hemingway
  • Boatswain, a Newfoundland, belonging to Lord Byron

Monday, October 18, 2010

Can You Help the Prestwick Vocabulary Power Plus App Get to #1?


Although it's only been out for five days, the Vocabulary Power Plus Application for the iPhone and iPad is climbing the charts. Currently it is listed as the number two free educational app in the iTunes store!

Download Vocabulary Power Plus for FREE and try it out for yourself today!

This Friday! Prestwick House Title to Appear in New Clint Eastwood Film Starring Matt Damon


Back on December 11, 2009, Warner Brothers Studios sent a fax to our CEO, Jason Scott, asking permission to use one of our titles as a prop.

The book they requested is the Prestwick House Literary Touchstone edition of The Call of the Wild by Jack London. No word as to what the book will be used for, but we are thrilled at the prospect of seeing the artwork of Prestwick House Art Director, Larry Knox, on the big screen.

So when you head out this weekend to catch the newest Clint Eastwood flick, make sure to keep your eyes peeled for your favorite publishing company's version of
The Call of the Wild!


Click on the image below to view it full size.